A Must See Brand: Narrative Cosmetics

As a makeup artist by trade, I am always looking for new options to add to add to my working kit that will add to my work or give me a wider range of options. Having found Narrative Cosmetics, in particular the FX range, I am really excited about the possibilities to create and for my work in film and TV the budget friendly side that will be a major plus going forward.

While the range offers up a wide array of beauty oriented products, it was the cream palettes from the FX range that first caught my attention and after a little research I can see there being so much more to the Narrative Cosmetics line that needs to be seen.

The FX range covers all the basics and with the addition of a YouTube channel with tutorials, you can utilize the range to create anything from a simple bruise to a creature with minimal fuss and maximum impact. Designed to meet the highest professional standards Narrative Cosmetics is fast becoming the go to brand for creatives across mediums.

Competitively priced, and expanding the range to support a wide range of requirements, you can go from theatrical to HD standard easily and with film and TV being a primary focus of my work, access to silicone compounds for quick wound creation or going old school with wax, the medical grade adhesive is a must see for the cost alone, Narrative has the scope to be a real kit staple.

If you are a makeup artist, no matter the stage of your career, passionate about FX and makeup then I strongly recommend you check out the range from film to fashion you will find something that will boost your kit and open up new potential in your creative work without losing out on quality.

To learn more about the Narrative Cosmetics range see:

Narrative Cosmetics Website.

Narrative Cosmetics YouTube.

Narrative Cosmetics Instagram.

Narrative Cosmetics Facebook.

Working The Makeup Dept Budget With Desired FX

In the world of film and TV, budgets can be the biggest constraint alongside time, to the creative process. For the makeup department often this means we have to search out cost-efficient options to create a particular look or downgrade the process to fit the money available, thankfully, there are services like Desired FX that can help with this and give you a budget-friendly, professional add-on to your kit that will push the department ahead.

From silicone wounds to scars, tattoos including bruising and standard designs, Desired FX offers up a range of products that will work for most scenarios and even offers a studio custom service to allow further scope for creativity on a budget.

With increasing options in the digital market from Amazon to HOD TV (Horror on Demand), the indie film sector has never been so popular with the on-demand film/TV sector becoming bigger year on year, but budgets being tight in the circuit, having the option of a team like Desired FX who can provide cost-efficient options for the FX department, there is scope to bring a different dimension as a department head working smart with the available funds.

To learn more about Desired FX or to purchase see:

Desired FX shop ( 10% off on all products with the promo code "JamesClark10")

Desired FX Instagram.

Desired FX Facebook.

Sideshow IPA Palettes by The AFX Company

The Allied FX company is widely known for their professional-grade IPA (Isopropyl alcohol activated) palettes under the name Bluebird FX and their latest addition to the family: Sideshow, an affordable, quirky, high-grade palette that since its launch in February has in short order become a go-to for makeup artists across the spectrum of the creative fields.

“With a clever mix of old favorites and brand new colors, the sideshow palettes are stealing the show for their cost-effective quirkiness. “

Currently, a range consisting of 7 palettes (with other elements being added soon) each with its own unique color set and vintage style cover image, the palettes are designed carefully to suit a particular requirement and has the savvy of a team who are working artists themselves looking to make not just their jobs a little simpler but also a little more fun, beyond the quirks you can see what is a genius move for the Allied FX Company, opening the door to a whole host of new clients from students to professionals the Festival range is perfect for those working in the low to mid-range budgets of film and TV (with the increasing use of internet services such as HOD TV, Amazon Prime, Netflix, and Streamlette, this will be a welcome addition to a makeup kit) and carries over the larger, high scale budget productions, a professional palette that transcends its price range of $59.10 in Australia (in the UK £36) and puts a whole new slant on character work and development.

• Body art: designed for body art and tattoo creation.

• Bruiser: a unique and carefully structured palette suited to its name, bruising.

• Dark Ride: a series of day glow shades that come to life under blue light.

• Dead-Alive: Perfect for zombies and illness, the death pallor look of haunted houses and Halloween.

• Gore: for the creation of scratches, cuts, and wound filling a box of tricks that is worthy of note.

• Gothic: aethereal and suited to those deeper, more cool tones looks (think vampire).

• Rouge: designed for breaking down and creating crusty characters and drunks.

For us at the lost creatives, yes we can see a use for the whole set but standing tall in this are 2 in particular that we are adding to our working kit via creative director and head of makeup JamesC, to match the work and styles of shoots we have planned for TV and print: Bruiser and Gore, which will be perfect additions to our work and will see multiple uses with the possibilities of this range being endless and others coming into play with projects in development (early stages of scripting).

In what is a market-led move, the Allied FX Lab are tackling and offering up quality products at a lower price point without compromise, the AFX company are amongst an elite of the profession and are pushing the boundaries of the makeup world giving us what we need to create the most realistic (and surreal when required) and putting the prosumer at the heart of their thinking.

The Festival range fits perfectly with a wide array of requirements and situations including:

• Students.

• Film and TV production professionals.

• Haunted House.

• Halloween artists.

• Cosplay.

To learn more about the range or to purchase see:

The Allied FX company website.

The Allied FX company Instagram.

The Allied FX company Facebook.

Wolfskin London Mens Grooming Kit for Makeup Artists

As the makeup industry landscape changes to meet new standards and we see the need for new techniques and methods, especially for TV presenters, Wolfskin London offers a simple solution that allows men to look smart, well-groomed, and professional in any setting.

Increasingly people are required to work from home using software setups for digital meetings and the full HD screens are opening up our faces to closer scrutiny and the need for a clean, fresh, groomed look as we work from home is becoming a must and in a media format, this can also mean that for male presenters who are often used to having a makeup artist on set, they will now need to do their own makeup which is where Wolfskin London becomes integral to the media business.

For the Lost team, the reason we are looking to Wolfskin London is fairly straight forward, it is designed to suit men and is simple enough that it is suitable for most situations and we can (if required) teach our male talent to do their own makeup with minimal fuss and will be something we reach for when we cover events such as fashion shows.

Pushing forward in the make-up realm having a range that is designed for men both professionally and personally will be something we work with more in line with not only the projects we have in development but for the future of the company overall.

To learn more about the Wolfskin London range or to purchase see:

Wolfskin London Shop.

Wolfskin London Instagram.

Wolfskin London Facebook.

Wolfskin London Twitter.

Westmore FX

Something that is often missed when talking about the Westmore’s as a brand (and a Hollywood family) is that they were also part of the FX revolution that for the film and TV industry has helped shape the film industry in particular character work in the horror and sci-fi genres.

Westmore Effects SilicONE Adhesive

Split into 8 distinct areas the Westmore FX range of glues, removers, and primers for FX work is a savvy and well-curated range designed to fit the needs of most situations:

1. SilicONE Adhesive

2. SilicONE Thinner

3. SilicONE Matte Adhesive

4. SilicONE Adhesive Spray

5. DEUX Adhesive

6. SilicONE Remover

7. PrimeONE Surface Prep

8. NEXUS Bond Enhancer

Developed alongside the Westmore Families’ own work in the industry, these are the products that have become staples of the smart FX artists working kit and are recognized for their pro-grade and homegrown industry credentials. Independently owned, the range is a standout in the profession with a heritage that goes back over a century making it not only a legacy brand in its own right but a must for those specialists who want a tried and tested range that will stand up to the rigors of the professional arenas of film and TV FX work.

With the pus points of being a vegan, USA made and cruelty-free the Westmore FX range is one of those professional ranges that is designed, manufactured and tested within the industry to the highest standards.

To learn more about the range or to find a stockist see:

Westmore FX website.

Westmore FX Instagram.

Westmore FX Facebook.

Westmore FX Twitter.

Out of Kit Prosthetics

Out of Kit Prosthetics was an interesting Instagram find by our creative director who was researching options for upcoming projects including a TV series and several shoots which will require Prosthetics. What caught our attention as well as his, was the potential of the range and selection. Built around film grade materials (silicone and top quality skin-safe adhesives), the Out of Kit range is a film artist dream for cost-effective and high-grade materials that will revolutionize the indie film sector in particular.

Image courtesy of Out of Kit

What drew us into the potential of the out of kit range was this quote from the website:

“When you’re being crushed by production deadlines, there’s no room to do anything but react. You can only run around putting out whatever fire is burning brightest.”

As we are working with the team from Nepal Film Production on PR and project development, this has the potential to be a real asset to us long term and the catalog of items on the website have already got us thinking about how and where these items can be used to add depth to our character for the TV Show we have planned for 2020. Standing out for us is the fighter kit (available in 4 different skin tones), which would fit perfectly with one of our planned stills shoots).

Out of Kit offers a bespoke service (details available via the site below) as well as their premade items and collections including trauma, old age, fantasy, and character.

To learn more about the company or to purchase from the range see:

Out of kit Website

Out of Kit Facebook

Out of Kit Instagram

Searching For a Studio

We are currently on the lookout for a natural light studio to book so we can do what will be a 2-day shoot focusing on the areas of work we will be focused on in the long term.

• Portrait and beauty.

• Character and out of the box FX for film and TV.

Our goals are simple, we want to create inhouse, a series of still images that will be portfolio based for the models and ourselves to showcase not just the skill set of the team but the potential of what we are doing.

With a series of long term plans and targets for 2020, it is really interesting to get to be able to see our hard work behind the scenes coming together, we are constantly dealing with brands and opening up new avenues that will include product placement and video of the work in action. Which we might send-off to one of the many fashion film festivals if we can find something suited to our work.

In fact, part of the plan for the studio shoot is to be behind the scenes videos that will be a showcase of the work as it’s done with our Lost Boys and Lost Girls them from The Lost Project being carried over into the work we are doing.

Naturally, we will do some outdoor shoots in and around the Lost Concept in industrial and bleak landscapes, adding a touch of dystopian drama to our work.

While we are really aiming to be making waves in 2020, we are laying the groundwork now to help with the marketing push we have planned that will integrate all of our social accounts and give a deeper insight into the creative process.

All We have is Now

When I was asked about the motivation behind The Lost Creatives, my answer was simple. All we have is now. Over the last few years, we have seen a dramatic change in the industry both from an observational standpoint and as a hands-on member of crews for film projects.

Not all have been good experiences and made me realize that the only way that would change is if I did something to rectify it and move forward.

Professionally I see my work and that of the Lost Creatives taking a more film and TV-based route geared toward something solid that can be sold, creating projects from a commercial stance may seem against the grain for some but that does not stop the artistic process contrary to the myth you can be artistic and commercial.

It is not easy to build something solid and takes time, earning credentials and getting started is a scary process but for me, that is half the fun.

Taking the stance that “all we have is now,” I plan to keep moving forward and taking creative and personal risks in business whilst supporting the arts. Each step we make will be a triumph and give more fuel to the business.

*We will give consideration to taking a team to an off-schedule London show during fashion week if we can work the marketing to suit.

Progressing forward we are now looking at additional script ideas for festival projects and editorial concepts that we will use as promotional material over the coming months and then in the new year (watch out for this one) our big marketing push. Creating a new narrative is what we are about.

The expansion will be over time and give us a more solid base to work from with a range of placements coming up which will be designed to give professional experience in the media and fashion arena.

Laying The Groundwork of The Lost Creatives

The Lost creatives site is being built around the idea of the cast and crew of future projects, we are talking to potential festivals to tie up with on the cross-promotional front and looking at what will be a series of films built around this from a few minutes to an 8 part TV series and of course ultimately, a feature film.

With the Lost Project, we have been doing a lot of groundwork and have successfully created a respected beauty blog with PR agencies and brands across the globe come to us for support and product placement, etc. Which we will continue to do.

For the remainder of 2019, we will be focused on smaller photographic shoots, looking at creating a series of editorials and character-based projects from a single image to a series for print and online magazines to help with pushing the Lost Creative narrative. This may include some behind the shoot films and creation of fashion films with either a youtube or Vimeo channel added to the Lost Creatives stable to showcase behind the camera moments.

Naturally, our primary focus is the be thriller and horror, over the course of years we have seen how much easier it is to sell this type of project and we also have ties to two fantastic independent distributors we will work with on this and are more than happy to have in our arsenal for the future.

Stay tuned for more news and updates.

Starting a New Journey

We are firm believers in the idea of a journey beginning with a single step. At this time we are building up a database of different magazines and projects that will be worked through in a two-fold fashion:

Magazines (particularly online) will be used to promote not only The Lost concept but the team behind the shoot. With a focus on a more character and a dramatic feel touching on naturalism, *the insta/social media makeup style doesn’t appeal to us.

Film and TV, we do have one project earmarked (more details on this later) with a writer from Iran who has been fantastic about supporting the concept and has agreed to be a part of what we are doing. We are negotiating terms to pick up the first of what we hope to be a series of projects starting in 2020.

The Lost Project continues to grow and we are really excited about the prospects of this new avenue of The Lost Creatives which will allow us to work a different side of the business and keep to some degree our artistic roots at its core while opening up commercial avenues that we will explore over time.

We do try to think about our work as commercial with an artistic edge allowing us to create and gives a distinct and soon to be an identifiable edge to our work that will become synonymous with The Lost Concept.